The Golden Sequence

A Fourfold Study of the Spiritual Life

EVELYN UNDERHILL

FELLOW OF KING S COLLEGE, LONDON

3-4 Memory and Imagination

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THE alert understanding, responding at all points to its environment, and always ready to interpret in accordance with its own diagrams and notions the messages which it receives, is yet only one part or aspect of that total psychic life which must be submitted to the purifying action of prayer. Great tracts of mental territory remain, which need to be cleansed from egoism, and redeemed from unreality, if all the powers of the self are to be 'gathered into the unity of the Spirit' and transformed into a single instrument; supple to the incitements and demands of God.

If our 'reasonable power' of knowing, analysing and conceiving was required to acknowledge its own limitations over against the Infinite, and accept that humbling discipline of ignorance which is the foundation of faith; still more, our mental stock in trade, all that mixed material of apperception which we use without ceasing and mostly without thinking in the ordinary business of everyday life, must be exposed to the cleansing rays of supersensual truth.

Lava quod est sordidum.

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That psychic storehouse, with its accumulation of remembered experience—pains and pleasures, repulsions and attractions, images and notions—colours all our reactions to reality, and enchains us to our past. Still more disastrous is the constant presence and penetrating odour of the psychic rubbish-heap; with its smouldering resentments, griefs and cravings, the empty shells that once held living passions, the tight hard balls of prejudice, the devitalizing regrets. All this ceaselessly tempts us to a sterile self-occupation, destructive of that simplicity which is the condition of a self-abandoned love. It reminds us of past sensible and emotional experiences, brings back into consciousness the old wounds to our self-love, old conflicts born of pride, anger, or self-will, and throws up distracting images whenever our minds are quiet.

Especially on our life towards Spirit, the insistent presence of this great well of memories, inclinations, images and dreams, exercises a constant and damaging influence : chaining us to the time-series, and giving past events, griefs and loves an immortal power. For here, God only must be sought, in and for Himself, in a pure and trustful streaming out of will and desire, a single undemanding flight ; without the backward glance towards anything already known, relinquished, longed for, or possessed. This entirely confident casting of the little spirit on the great Spirit of God, as birds on the supporting air—in spite of all the drag of the past, and suggestions of the untrustful mind—is that which

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theology means by the state of Hope. By it the memory whether of sins, fears or sorrows, is purified and sweetened. It is the soul's growing point, and the very means of its self-anchoring in God.

La petite Espérance
Est celle qui toujours commence
.

The Bible is drenched in this spirit of unconquered Hope, a strange, other-worldly certitude shining through hours of destruction and grief; the upward confident look, out of the confused misery of human existence, towards an unfailing Power. In the Psalms which the Church recites on the days that lead to the Passion, the exquisite paradox of Hope achieved in suffering mounts up to its completion in the Cross. For only suffering can give this mysterious Hope to the spirit, teach it to throw the whole weight of its trust forwards upon God. 'Thou art my strong rock and my castle: be thou also my guide and lead me for thy Name's sake.'

It is not only the dreadful pull of self-occupation, the ingrained tendency of the psyche to turn backwards, rummage among its hoarded experiences, and reflect upon its own ideas, which deflects the undivided movement of the spirit towards God. The uncleansed memory operates disastrously within the very sanctuary of the devotional life. The total uncriticized content of our religious store-cupboard all its phrases, images and symbols entering into our apperceptive mass, brings many confusions in its train. We easily become the dupes of our own

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imaginative and psychological processes (and much of that which passes for 'religious experience' falls under this head); taking that which is less than Spirit for a direct intimation of the spaceless and eternal God. Thus we are led to suppose that we know Him, when as a matter of fact we only know our own ideas and feelings about Him; and content ourselves with turning over these unworthy notions and pictures of an unpicturable Reality.

The whole of popular religious art, and much religious literature too, witnesses to the deplorable result of identifying our dim yet deep intuition of God with its sensible embodiments; and to the fact that many so-called 'theological problems' really arise from the confusion of our imaginative machinery with that which it mediates. On the other hand, in the dangerous realm of supposed 'mystical' experience—which is most often psychosensual experience—the confusion of religious fantasy with religious fact is one of the most common traps awaiting fervent souls. The masters of prayer are untiring in their warnings upon this subject; and indeed any real apprehension of God's action, however faint and obscure, must sweep from the mind all images and all notions, and bring it to a state of pure receptivity. Nevertheless the lives of the saints, and of many who are far less than saints, are full of holy, poignant, or attractive daydreams, projected images, interior conversations; which are the clear product of memory and imagination, but accepted without criticism as direct

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revelations of the supernatural world. Even so deeply spiritual a work as the Revelations of Julian of Norwich shows the influence of religious imagination on every page.

Thus it is of first importance to realize at once the uses, the limitations, and the dangers of this strange imaginative power, so little understood by us, which intervenes between our normal earthly experience and the simple contacts of the spiritual life. Most difficulties of adjustment between visible and invisible religion are caused by this confusion between our remembered images of God, and His unmediated presence revealed in prayer. What is here required is not an inhuman expulsion of all image, but a careful recognition of the true character of our religious furniture; and a simplifying so far as is possible without real impoverishment of the interior decorations of the soul. The religious mind is often like a mid-Victorian drawing-room; full of photographs, souvenirs, mirrors, superfluous draperies and bits of cabinet-work, which merely witness to our bourgeois fear of emptiness, and tend to develop in us a spiritual class consciousness, which colours our whole outlook on Reality. 'It is deplorable', says Malaval, 'that among Christians there is often more of what one might call images and representations of piety, than the spirit of faith which ought to live in them. We always want to love and adore by figures, without going to the substance of things, and we stop at the means without going to the end.'

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Thus a clearing-up of the imaginative levels of religion is an essential and difficult part of the purification of our interior life. For here, in this stock-pot of the soul, primitive symbols, ancestral memories, pagan fantasies, and natural cravings decently disguised by the vestments of faith, all simmer together with the most sacred facts, figures and phrases : and when their confused results, coloured with emotion, emerge into consciousness, they are constantly accepted as 'religious experience'. Especially is this setting in order of the psychic storehouse, and understanding of its true nature, needed for any safe and fruitful use of image and meditation in the earlier degrees of prayer. For the haunting beauty of Christianity abides in the tension and contrast between the Absolute God and His self-revelation among men ; the stooping-down of the Infinite to enter into finite forms. Thus the imaginative contemplation of these scenes through which Spirit is most richly revealed to us—and especially the mysteries of the earthly life of Christ—has always formed a valuable part of the education and purgation of the Christian consciousness. For here Spirit takes our mental apparatus and teaches through it.

'Mira! mira!—Look! look!' cried St. Ignatius, as he led his pupils through those searching exercises which should bring them at last to the contemplation of the Love of God. And yet, that at which we look in awe and devotion, is at least in great part a work of memory and imagination ; through which the riches of the

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Spirit enter our field of perception, and are apprehended by our little souls. 'After all', says Malaval again, 'the body one imagines to oneself is not that of Our Lord; it is an imaginary body, which is as different in the imagination of each one, as the different imaginations of each one who conjures up the picture.' But so long as we recognize our secret theatre for that which it really is, and do not confuse the dramatic representation with the unearthly poem that it conveys, we are safe.

So, whilst the absolute character of the contrast between the Being of God and the imaginative embodiments of men (however beautiful and holy) must never be lost by us; yet here the arrogant and total rejection of the helps of the imagination and the senses is an equally dangerous excess. Each soul must discover and control the degree of its own dependence on the sensible: and, committed as we are to the mixed life of sense and spirit, none of us can strip our house of all its superfluous ornaments without threatening its hidden structure as well. The purification we are asked for is at once more difficult and less drastic than this. For Spirit, God, the substance of that which the soul loves and longs for, is ever conveyed within the image, form or figure that we contemplate; since He penetrates all life. And that part of prayer which matters most is the simple movement of the soul towards Him, adherence in her ground. That this most subtle encounter should be evoked, expressed and enmeshed within sensible forms is a

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humbling necessity of our being; and would do nothing but good to us, did we not tend to spoil everything by allowing sensitive nature to enter into such active relation with the outward sign, instead of waiting silently and faithfully on the inward grace.

That which we are called upon to do, is to distinguish as clearly as we may between the easy device of resting in quasi-sensible religious consolations or conceptions, and humble, unconsoled, selfnaughting before God. We are to lean out towards Him in a simple act of total confidence, without pondering or analysing our 'experiences'; none of which are worth the act of self-abandoned faith in which we renounce them. As regards all such distinct religious images or conceptions, we must enter the 'cloud of forgetting', acknowledging their approximate and imaginary character and passing beyond them to a meek self-loss in God. Bathed in mystery as we are, we easily take refuge in the apparent and the attractive, and avoid the stern discipline of ignorance. But 'the more we withdraw from images and figures', says St. John of the Cross, 'the nearer we draw to God, Who has neither image, form, nor figure.' And though, literally interpreted, this saying might seem to shut the door on all visible and sacramental religion, it remains true if we remember that the saint is really reminding us of the ever-present danger of accepting sign instead of thing. We achieve the true liberty of detachment here, as in the instinctive life, by a

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plain recognition of imagination and memory as servants but never revealers of Truth. Through their disciplined use, the touch of God may be realized by us; and our sense of the supernatural deepened and enriched. Therefore the pure and supple mind will receive with simplicity all that God-Spirit gives to it by these strange channels, whilst refusing to rest in the stimulation or the sign: never accepting the photograph as a substitute for the living Presence, or mistaking the best and most enchanting of records for the Orphic song.

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Next: Will and Love

 

 

1906 - The Miracles of Our Lady Saint Mary

1911 - Mysticism

1912 - Introduction to The Cloud of Unknowing

1913 - The Mystic Way

1914 - Introduction: Richard Rolle - The Fire of Love

1915 - Practical Mysticism

1915 - Introduction: Songs of Kabir

1916 - Introduction: John of Ruysbroeck

1920 - The Essentials of Mysticism, and other Essays

1922 - The Spiral Way

1922 - The Life of the Spirit and the Life of Today (Upton Lectures)

1926 - Concerning the Inner Life

1928 - Man and the Supernatural

1929 - The House of the Soul

1933 - The Golden Sequence

1933 - Mixed Pasture: Twelve Essays

1936 - The Spiritual Life

1943 - Introduction to the Letters of Evelyn Underhill
by Charles Williams

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